Showing posts with label New York Fashion. Show all posts
Showing posts with label New York Fashion. Show all posts

14 September 2014

t h e // CLUB // k i d s


































Club kids verse the cool kids, the much anticipated follow up to their flawless début was indicative of their English youth, emulating the epitome of the rave and the girl gangs of cool, a projection of punk princesses equip with latex legwear and a hard-core attitude. Embracing the essence of the club kid era and the comradeship of the underground dance scene, the Marc by Marc SS15 show projected a scene of longing, transporting its audience to a new world system of polka dot motifs and Björk-esque topknots.

Images: Style.com



17 February 2014

I want to be a part of the cool club!

































The Marc by Marc Jacobs show was a rebellious revolution that propelled us all back to school yard, endlessly wishing to be one of the popular girls- except this time, the girls in question swapped their strawberry smackers for a pair of martial arts combat boots and bad ass braids. 
A gang of skater girls stormed the runway projecting a defiant yet subtly romantic attitude, supported by underlying bandana motifs, over the top bows executed in traditional tartan and an obsessive use of black, white and red.
There were no boys in sight; only a flawless ninja army, comprised of strong, level-footed girls, only further hammering home the announcement that MBJB has a new edge!


16 February 2014

Happy Days Are Here Again


































An ethereal cloudland of grey-scaled violet, hand painted organza, hypnotic serenity and icy, iridescent reflections, - a calming contradiction to his last appearance on a Manhattan runway, Marc Jacobs made a point of reasserting his place at New York Fashion Week, proving the power of pulling everything back, letting a wallflower-like softness drill itself into the subconscious of the audience.

As the designs moved through a progressive development of neutral shades supported by candy washed wigs and working up to the addition of constructed textures, deep v-neck knits and the glamorised incorporation of sequins, the soundtrack remained repetitiously methodical, pulling the audience deeper and deeper into a grey wash hypnosis.
A soft and almost tragically beautiful collection, Marc Jacobs convinced all that the Happy Days are truly here again!




20 September 2012

STRIPPED DOWN.









Stripped down to the bare essentials, the program for Marc Jacob’s latest collection was a direct reflection of the minimalism, but ever so powerful show that was to come. An artistic display at the completely opposite end of the spectrum from his last collection, Jacob’s drew inspiration form the pinnacle of New York magic. Think icy blonde hair, deep dark eyes and iconic black stockings, a tribute to the legendary Factory and it’s most infamous ‘it’ girl, Edie Sedgwick! Lead by a black and white clad Ruby Jean, the army of models tramped down the runway proving not only the powerful of the understated, but also the pure ingenious of Marc Jacobs. Simplicity with the backbone of slightly tragic glamour, this collection was proof that fashion’s power lies in it’s ability to tell a story, and this season, Marc Jacob’s proved the fabulously eccentric memory of Andy Warhol’s super star lives on! 

19 September 2012

SNAP. it's Spring/Summer


Casual, understated and nonchalant chic, with subtle undertones of killer glam rock! Spring Summer 2013, is kicking some serious arse and we’ve not even at my favourite city yet! Before we dive feet first into the second half, here’s my little recap of what went down in NYC and London.

Alexander WANG.
Black lights, an iridescent glow and Wang’s interpretation of, “Pulling the garments apart.” It was structure in its newest, most intricate form, equal parts experimental and functionality all depicted through the light and shade of black and white.







Helmut LANG.
Adapting their statement staple of ultra cool, asymmetrical draping in neutral specific tones, Helmut Lang evolved the stereotype through the exploration of soft peaches and pastel blues. It was laid back and understated in a newer, looser form.







ACNE.
Romantically undone with a sense of rustic dishevelment, the Acne collection was all dusty tones, parachute skirts and printed muscle tees…and wasn’t it fantastic! Maintaining the tough edge of the Acne girl, the collection enabled her to adapt to a new form of brilliance. This is how I would love to dress ALL THE TIME! And seriously, what’s cooler than a printed MUSIC tee!







MULBERRY.
Sickly sweet in the most Mulberry of ways, the Spring Summer collection came complete with muted golds, soft sweet metallics and perfect preened poodles.







TOMORROW -> MARC JACOBS: my most favourite collection EVER, (big call I know! You’ll see why)

All images: style.com